A self-initiated editorial study exploring botanical forms — an excuse to push a restricted palette as far as it can go.
Editorial / Illustration / Botanical / Two-Color / Vector
Discover how much expression a two-color palette can carry when the vector forms are loose, layered, and unapologetic about being drawn.
Twelve illustrations, each composed only of vector shapes — no gradients, no textures. The set works as standalone editorial pieces and as a print-ready series sized for a small zine run.
I'm currently booking new client work for Summer 2026. Drop a line and I'll reply within 24 hours.